Barcelona Chair Despite its title, this design was actually born in Germany. During the International Exposition in 1929, the country offered this entrance as an ode to the Expo's host town, Barcelona, Spain. The seat was a collaboration between two great design thoughts, Ludwig Mies van der Rohe and his longtime companion and partner, Lilly Reich, a architect and designer in her own right. It is frequently mentioned as an icon of contemporary design. Its inspiration came from campaign and folding seats of ancient eras. With a stainless steel framework, along with a cushioned, Bovine-leather seat and back, it's a popular selection of design-obsessed homeowners. The chair was made by Knoll since the 1950s.
Bergere Chair Usually associated with the country French style of decorating (Marie Antoinette used them in her rural estate), the Bergere armchair is defined through an upholstered seat and back which is generally an overstuffed cushion. Its framework is a carved, "curvey" wood. They make excellent reading chairs and mix well with many other styles of furniture.
Chair-and-a-Half This in-between piece of furniture is larger than a standard armchair but bigger than a loveseat -- perfect for those awkward spaces at a home visit here. An armchair, generally upholstered, is ideal for a family room or reading nook setting. It must be sat on for a long movie or a good read.
Club Chair This armchair typically is a heavily upholstered style with a minimal back like this. Often the plus arms are as large as the back of the item. The contemporary club seat is based upon the club seats used by the fashionable and popular urban gentlemen's clubs of 1850s England read the article. Today, they may be found in studies or family rooms -- awarded their sit-back-and-relax nature.
Eames Lounge Chair The full name of this design is Eames Lounge 670, is usually paired with a matching ottoman (Eames Ottoman 671) -- which makes it a stylish resting place check this. The chair has a low seat that is permanently at a recline. The chair of this seat swivels to a cast aluminum base, with glides that are threaded so that the chair may remain level. The piece was made by Charles and Ray Eames in the late 1950s for the Herman Miller furniture company. The first high-end piece designed from the duo, it is comprised of molded plywood and leather. The seat has the honour of becoming a part of the permanent collection in the Museum of Modern Art (MOMA) in Nyc. A mark of a smart, stylish character, it's made several renowned appearances on television shows such as Mad Men, Frasier and House.
Egg Chair Designed by Arne Jacobsen in 1958, this bit was initially placed only for the Radisson Hotel in Copenhagen, Denmark go to the website original site. Most design specialist agree that the design was motivated by another chair, the Womb chair designed by Eero Saarinen, although the design might be a little more baked browse around these guys. The piece was designed as a sofa also, plus they share the same traits such as the steel frame and fabric-covered chair. The form of the item appears to cradle the seat's occupant. It is curves reminiscent of an egg's silhouette. The Modernist masterwork was initially created in a green colour, but today is fabricated in a number of shades.
Eames Plastic Chair Another classic design from the Eames design duo, this molded plastic chair has versions with or without arms, and a clean style that cradles the body. A metal base supports the chair site web. The seat -- made in 1948 -- is still manufactured today and comes in several colours and foundation layouts.
Fauteuil Chair This open-arm seat has a mainly exposed wood framework. The design was originated in France in the early 1700s . There's often a carved relief designs. The seat, arms and back are upholstered. Often you will see the timber frame painted and sometimes gilded -- befitting its original grand settings. A Fauteuil is a superb chair to use at a desk or as accent at a formal living space.
Fiddle Back Chair Modeled on a Queen Anne style, this seat (located in early American Colonial houses) is characterized by a back splat shaped much like a violin, fiddle, or curved vase. Typically the seat of this piece is constructed of dash (a woven pattern made from the foliage of a cattail plant). The legs are carved and turned -- often with side and front stretchers to break your feet.
Ghost Chair Aptly named because of its see-through colour, the piece marries old-world contour with modern materials next Web Site. Manufactured exclusively by Kartell, the chair was conceived by famed designer Philipe Starck find out. Made of transparent or dyed polycarbonate, the seat is a light and striking addition to a space. Its shape is easily identifiable: a Louis XVI (connection to Louis XVI entrance) navigate to this web-site More about the author. Its versatile plastic substance make it an obvious selection for outdoor use in addition to an indoor desk seat.
Hoop Back Chair Designed in a few varying variations, this 18th-century all-wood seat is often known as a "sack-back". The chair is defined by the bowed or curved piece that rests beneath the spindle back, and stops at the surfaces of the seat. This style is really a variant of the Windsor chair -- aptly named after the English town. Early American Windsor styles had turned and carved ball and pipe legs.
Ladder-Back Chair Easily identified with its back with horizontal slats or spindles, the wooden ladder-back is a utilitarian and rustic design that has a chair that's often caned or dashed. The seat was created from the Middle Ages but really became common in English homes in the 17th century. The migrated to colonial America after that and therefore are still a frequent site in many kitchens and dining rooms.
Louis XIV Chair Named after King Louis XI, (1638-1715) this seat is constructed of finely hand carved walnut. The large back and cushioned seat is larger to accommodate the ample space required by the fashions of the day. Since the chair was born out of this French Baroque period, the chair is typically coated in a rich tapestry, brocade or large design or velvet. It creates a stunning and flavorful existence in almost any space.
Lyre Back Chair The centerpiece of the chair is the curved, rounded lyre arm which resembles the form of lyre -- an early stringed musical instrument. Its source is in the Greek Classical period (beginning circa 1700 AD). A lyre seat features a splat that is made of single lyre scrolls. The timber can be simple or elaborate in design. The seats are mostly wood. Layout by Darla Blake
Papasan Chair Also referred to as a mamasan or bowl chair, this really is a large-rounded design with an angle like a futon. The bowl form rests on frame made from rattan, usually. Additionally, it has been produced with a wood or wicker base. The papasan was released in america around 1950 and really boomed from the freethinking decade of the 1970s. The cushion is normally made of a thicker cotton or velveteen filled with a cotton fluff. The plastic or metal framework typically folds into itself, allowing for simple storage and transportation. These folding type designs are also known as "moon chairs".
Parsons Chair Much like the Name Implies, the Parsons or Parson's Chair is directly related to the Parsons School of Design in Paris, France. It was made in the 1930s; the assignment of the design was to give comfort and versatility when maintaining a clean, non-fussy silhouette. The armless chair has straight lines using a cushioned seat and back. This simple look makes it flexible enough for almost any room to be used as an accent chair.
Queen Anne Chair Named after the ruler who reigned over England in the 18th century, this particular style of furniture design is marked by easy features like curvilinear lines, vasiform splats, and cabriole legs (among four supports shaped in two curves; a single convex and the other concave). The seat of a Queen Anne chair is generally horseshoe-shaped. Carved scrolls and shells at the crown and knees of the piece also describe this layout. The chair is generally upholstered.
Recliner Chair Certainly the most comfortable of all upholstered armchairs, the timeless recliner is defined by a rear that can be lowered and a footrest that can be increased -- thanks to a lever on the side of this piece. The recliner Was Made in 1928 at Monroe, Michigan by cousins Edward Knabusch and Edwin Shoemaker. Their company, Floral Furniture was renamed Lay-Z-Boy -- that is a frequent name for the style.
Side Chair This fashion has a straight-back and features no arms. It is ordinarily used as a dining area seat for the surfaces of the dining area table. In addition, it can be used as an occasional table in a living area or bedroom. The chair of an arm chair can be upholstered or not. Image courtesy of Sarah's House.
Slipper Chair The wide variety of chair is typically modest, high-backed and upholstered. It has a very low chair and can be found in bedrooms. Despite some claims that this seat's low-slung shape resembles that of a shoe, its name comes from its ideal stature for sitting to wear footwear. Its low legs tend to be hidden with a skirt. Picture courtesy of Phillips Collections.
Wingback Chair Also referred to as a wing chair, club chair, ear chair or grandfather chair. It's upholstered and has big "wings" mounted into the back reaching down to the arm rest. These were devised to obstruct the mind and upper half of the body from sparks and trap heat from a fireplace -- where the seats were often put. Picture courtesy of Jennifer Duneier.
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